Description & Setting: Techniques and Exercises for Crafting by Ron Rozelle

By Ron Rozelle

Construct a plausible World
How crucial is atmosphere to a narrative? How a lot description is simply too a lot? In what methods do information and surroundings tie into plot and personality improvement? how will you use atmosphere and outline so as to add intensity in your story?

You can locate all of the solutions you would like in Write nice Fiction: Description & environment by way of writer and teacher Ron Rozelle. This nuts-and-bolts consultant - entire with functional workouts on the finish of every bankruptcy - supplies the entire information and strategies you want to: * determine a practical feel of time and place
* Use description and environment to force your story
* Craft powerful description and atmosphere for various genres
* Skillfully grasp displaying vs. telling
With dozens of excerpts from a few of today's most well liked writers, Write nice Fiction: Description & surroundings provides the entire details you must create a pointy and plausible international of individuals, locations, occasions, and actions.

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Extra resources for Description & Setting: Techniques and Exercises for Crafting a Believable World of People, Places, and Events (Write Great Fiction)

Example text

They may have confided things in you—hopes and fears, memories and motives—that were just between friends. When you put them in the pages of a story or book, they have every right to feel betrayed. Asking their permission first can be even worse. Then they start to feel a proprietary interest in the story; they call you up with new reminiscences. " Worse, when the story comes out you'll get the Phone Call: "I can't believe you showed me doing that. " Very few friendships can stand the strain of an author-character relationship.

That movie turned out to be effective persuasive writing, precisely because the characters were so believable. Of course, it helped believability when the nuclear accident happened at Three Mile Island around the time the movie was released. Polemic—persuasive writing—only works when it doesn't feel like propaganda. The audience must feel that you're being absolutely fair to people on the other side. If you depict them as devils, the uncommitted members of the audience will be disgusted, and you'll convince none of them.

Johnson walked down the corridor until he got to the bridge of the ship. " The captain quickly surveyed the situation. "About three minutes, I'd say. Not enough time to avoid a collision. But we've got to try. " Howard immediately relayed the command to the engine room, while his mentor made sure everyone else knew what to do. OK, folks, guess: How many characters have we just seen? There are seven different names or tags here—yet this passage could just as easily refer to only two people. Lieutenant Howard Waterman is the executive officer of the ship; his mentor is Captain Bill Johnson.

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