Cuba Straits (Doc Ford, Book 22) by Randy Wayne White

By Randy Wayne White

Document Ford’s outdated pal, common Juan Garcia, has long gone into the profitable company of smuggling Cuban baseball gamers into the U.S. he's additionally feasting on earnings made by means of procuring ancient treasures for pennies at the greenback. He prefers what buyers name HPC items—high-profile collectibles—but whilst he manages to procure a set of letters written via Fidel Castro among 1960–62 to a mystery female friend, it’s now not an issue of cash anymore. Garcia has stumbled method out of his depth.

First Garcia disappears, after which the guy to whom he bought the letters. while document Ford starts off to enquire, he quickly turns into confident that these letters comprise a mystery that somebody, or a few strong company, can't let to be made public.

A lot occurred among Cuba and the USA from 1960–62. Many males died. a number of extra will infrequently be spotted.

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Extra info for Cuba Straits (Doc Ford, Book 22)

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Here is Chekhov's Hegelianism, similar to Ibsen's and even more similar to Shaw's, where reality, as it ought to be, stands before us like a beacon to the future. We will come back to this theme again. In The Three Sisters (1901) the pattern is nearly the same. The play opens in a much happier mood, with the celebration of Irina's name day, 36 Chekhov but as the four acts progress, we see Natasha's gradual takeover of the house, with her husband, Andrei, at the end outside pushing a baby carriage, while the invisible Protopopov remains inside, master both of the house and of the town itself.

This is the captain who first married Laura, who took her as his second mother. This is the captain who allows the nurse to put the straitjacket on him in the final act. The last sequence of action, a symbolic desexing of the Captain, reduces him to infancy, something a part of him really wants; but the other soul revolts against the tyranny of woman, and his stroke occurs as a final protest against his defeat. Thus, what makes The Father work dramatically is not so much the conflict between Laura and the Captain as the conflict within the Captain himself.

In order to be freed from the earthly element, the descendents of Brahma sought renunciation and suffering. And so you have suffering as the deliverer. " And it is precisely this conflict that Strindberg is never able to resolve either in the plays or in his life. He can never renounce love, nor be happy in it. Love is still conflict; thus, despite all he had written about his desire to change, the marriage between the playwright and Harriet Bosse erupted into explosive quarrels that led finally to her need for a divorce.

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